Neposlušno​/​Sound Disobedience

by Various Artists

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  • Compact Disc (CD) + Digital Album

    Comes in a lovely gatefold card case, with artwork by Jani Peternelj and a booklet by essays from Eddie Prevost and Primož Trdan.

    Includes unlimited streaming of Neposlušno/Sound Disobedience via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €6 EUR  or more

     

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about

This double CD is crucial document of a certain time in development of contemporary Slovenian free improv scene. The chosen format is a duo as a form of interaction between many players, coming from various musical environments, scenes, aesthetics and approaches. At the time the focal point were regular gatherings throught weekly musical workshop 'Raziskava, refleksija' from which many players and groups emerged that nowadays form vibrant Slovenian improv scene.

credits

released January 2, 2012

Composed and performed by: Vitja Balžalorsky, Jošt Drašler, Vid Drašler, Andrej Fon, Domen Gnezda, Tomaž Grom, Marko Jenič, Marko Karlovčec, Ana Kravanja, Samo Kutin, Neža Naglič, Žiga Pucelj, Matija Schellander, Boštjan Simon, Irena Tomažin, Tao G. Vrhovec Sambolec.

Afterwords by Eddie Prévost and Primož Trdan
Mastering by Janez Križaj
Translations by Ana Jelnikar
Design by Jani Peternelj

Live recordings by Tomaž Grom, except: Profession: Physical Worker – recorded in Radio Študent by Samo Pavlica - Linch, Almost a Little – recorded on a Brda Contemporary Music Festival by Iztok Zupan, Contact – recorded in a studio Klopotec by Iztok Zupan.

Double CD originally released in 2012 by Sploh In coproduction with L'innomable.

www.sploh.si
linnomable.wordpress.com

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about

Sploh Ljubljana, Slovenia

Sploh (Sound, Performing, Listening, Observing, Hearing) for art production and publishing is engaged in music, performing arts and intermedia arts production, publishing and education. Primarily it is oriented towards developing, staging, establishing and reflecting musical practices that dip a toe in the waters of: improvisation, contemporary composition, and sound/tech experiments. ... more

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