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Sploh Ljubljana, Slovenia
Sploh (Sound, Performing, Listening, Observing, Hearing) for art production and publishing is engaged in music, performing arts and intermedia arts production, publishing and education. Primarily it is oriented towards developing, staging, establishing and reflecting musical practices that dip a toe in the waters of: improvisation, contemporary composition, and sound/tech experiments. ... more
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Performed on the 1975 La Trobe Serge ‘Paperface’ modular synth, “METASTABILITY” is full or curlicue electronics.
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Music for Mourning
by Poppy Nogood
Inspired by Steve Reich and Terry Riley, this contemporary composer and violinist creates pensive, minimal-but-emotional work.
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Of Shadow and Substance
by Lea Bertucci
A disquieting, yet serene, reflection on industrial decay from the experimental New York-based composer.
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RETURN
by GVSU New Music Ensemble
"Electronic chamber music" from this lauded ensemble, with the musicians "sampling" the notation for a stunning, innovative sound.
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Breathing Landscape
by Leslee Smucker
A marvel of sweeping, reverb-soaked neoclassical ambient, recorded in an abandoned water tank in rural Colorado.
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I was too young to hear silence
by Patrick Shiroishi
Free jazz saxophonist explores negative space on a vast, improvised work recorded in a L.A. parking structure.
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A theatrical change of pace for the Australian double bassist, vocalist, and composer; neoclassical splendor with a cathartic undertow.
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